Cultural village · La Romana





The church of St Stanislaus on the main plaza, built from coral block and river stone.
Altos de Chavón is not a restored antiquity and does not pretend to be one. Construction began in 1976 at the instigation of Charles Bluhdorn of Gulf+Western, designed by the Dominican architect José Antonio Caro and the Italian designer Roberto Coppa, with Dominican artisans hand-cutting each stone and hand-forging the ironwork. It has weathered into something more convincing than the description suggests: cobbled lanes, small squares, the church of San Estanislao, and a terrace with a long view down the Chavón river gorge.
The amphitheatre is the set piece: 5,000 seats cut into the hillside, inaugurated in 1982 with a Frank Sinatra concert and still used for major performances. The Regional Museum of Archaeology is the other reason to linger, with a serious Taíno collection that most visitors walk past without realising it is there.
Reviews are warm about the setting and the views, and mixed about the artifice and the access rules.
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Altos de Chavón sits within the Casa de Campo grounds outside La Romana, a five to ten minute drive from the resort entrance or the marina. From Punta Cana allow an hour and a half to two hours each way; from Bayahibe or La Romana it is a short trip.
Because entry is controlled, the simplest route for anyone not staying at Casa de Campo is a guided excursion, which usually pairs the village with La Romana, the Cueva de las Maravillas or a Saona day.
The village was conceived by Charles Bluhdorn, head of Gulf+Western, which then owned the surrounding sugar estate. Built from 1976 and inaugurated in 1982, it now houses the Altos de Chavón Cultural Center Foundation and a design school affiliated with Parsons in New York, so the artisan workshops in the lanes are working studios rather than set dressing.
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